Here is a review originally published in Exberliner
A desperate actor dresses in drag and passes himself off as a woman to land a film role; he falls for the lead actress and becomes her confidante to get closer to her; she discovers his masquerade and all seems lost; she forgives him and they live happily ever after. If any of this sounds at all reminiscent of Tootsie, that’s probably because it’s a shameless rip-off. Beyond that, it’s also a lacklustre attempt at lampooning the philistinism of the American film industry – ironic for a by-the-American-numbers romcom with a stolen (American) plot.
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